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MICHELANGELO Buonarroti: Two Male Figures after Giotto (recto)

🖼 Two Male Figures after Giotto (recto), 1490-92
Pen and gray and brown ink over traces of drawing in stylus
317 × 204 cm
Paris, France

Muscular male nudes rendered in precise charcoal demonstrate anatomical mastery through bold contour lines and classical proportions. Michelangelo's study after Giotto reveals Renaissance reverence for medieval foundations while establishing his revolutionary approach to the human form.

Michelangelo
Michelangelo
Frank Zöllner
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